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2003-12, 340, Jurgen Wegner, Language

Collecting The Festschrifts

The following notes have been inspired by Brian Taylor’s call to arms – or was it a call to fall on one’s sword – in the issue of Biblionews (vol. 28, no. 1 (Mar. 2003)) about Jeff Bidgood’s comments on style 1. Style is both that battered old hat we like to wear at the bottom of the garden as well as the mailed fist of linguistic propriety. Each garment has its place and, in my opinion, the less place for the latter the better. I could join the fray and fill up a few pages with foibles and idiosyncracies from the past (not omitting the tireless work of my own prolific amanuensis, Herr Dr Druckfehlerteufel 2, under whose tireless tutelage my own modest efforts continue to flourish). To what purpose, I say! But if I were pressed I would like to put in a word for that poor waife, the .”

Damn and blast! I know that there was (or is?) some sort of convention which has chained this poor lass to that brute of an unrelated textual quotation it has naught to do with, but to me this has the same effect as you scraping your fingernails down a blackboard (should that now not be “greenboard?.”) The world is full of errors. Call me a punctuation terrorist if you like, but to use something within quotes means that you are lifting this exactly from the text. If the passage you are quoting ends also with a terminal full stop, well some excuse could perhaps be made for such a practise. But what is the point of supplying this inside the quotes at the end of a sentence? Stops are typographical devices and function as visual delimiters for text. What conceivable reason could there be for ending a sentence, be it in the middle of a paragraph or at its end, thus:

The exact words used by Lord Beaconsfield … were:– “Lord Salisbury and I have brought you back peace, and a peace, I hope, not without honour.” 3

This seems to be one of those conventions, perhaps like caps in titles, which still draws on compositorial practices in early Bibles. While there may be as many styles as there are writers, and some journals even invent a style unique to their own publication, it happily seems to be a thing of the past. That useful reference, the AGPS style manual 4, is quite clear on such modernisms… Or is this just the lingo as she is writ by us Ozzies?

Another practice which has the same effect on me is the use of the word Festschrift. Note the capital “F”. This word is used in English as a loan word from the German, and German nouns are always capitalised. Once words are appropriated by the Anglos they are of course at liberty to ravish them at will. So if one insists on referring to a festschrift, why not also talk about the festschrifts? Or of bildungsromans 5? It is one of the crosses I bear as an educational trades’ labourer. To me a new word or concept makes me want to leap for the dictionary and find out, and this is why I have been known, on occasion, to sprinkle my text with Fremdwörter 6.

But on a more serious note, and as a footnote to Brian’s comments on the Festschrift in his last article, the Festschrift is traditionally an honorific publication, usually for an academic who has made a significant contribution to his–and they tend to be predominantly of the masculine persuasion–field of study. They are also almost without exception commercial publications. However, it also has a further meaning, that of the company jubilee or celebratory history. I am certain that there are more than a few of you out there who collect company or institutional histories, but these are not quite the same thing. A corporate Festschrift is a history which also has to be a celebratory or jubilee volume, usually produced by the body itself or commissioned by it from a known publisher, on the occasion of the commemoration of some great event in its history. This is normally the 100th, 90th, 50th, or 21st anniversary of its establishment, though in these more uncertain times it is as likely to be the 10th or even the 5th! I have seen one celebrating 400 years, which is no mean feat. Festschriften are produced by and about all manner or bodies. Banks, government departments, churches and schools, companies, local councils, hospitals, even libraries and universities, have had Festschiften produced or caused to be produced. My interest is in those of the “book industries”: printing, publishing, bookselling, paper, type, newspapers, bookbinders, and related trades, and I have been collecting and collating references 7 on this subject for almost two decades.

Why is the area of Festschriften one worth collecting? Apart from the subject matter, content, the fact that they may be limited editions or even specimens of fine printing and design, the amount of serious research and rare archival and pictorial material included, &c, what is surprising about the corporate Festschrift is not just how many are produced 8, but how few are available outside a very few specialised libraries. And by many I mean tens of thousands for the book industries alone. Very few of these are held by generalist libraries including state and national libraries. Some, naturally, are mere puffery, extolling the virtues of Bankstown Gluing and Binding Pty. Ltd. and its contribution to the economic life of south Bankstown. I hasten to add that this can nonetheless be an invaluable resource for anyone studying the history of the economic development of Bankstown or of the local printing and allied trades. The vast majority of such “publications” provides a significant contribution to research if only for the unique sources upon which they have drawn.

Why, when this material is so prolific, significant, important historically, and (was) normally available free of charge, is it so under-represented in our libraries? And, at a guess, underrepresented in private collections also? I suspect it has a lot to do with the fact that our society has a very strange underlying cultural dynamic… that of money and commerce. Something you can get for free can hardly be worth collecting, can it? This is one of the reasons why printed ephemera and grey literature, for example, are so rarely collected. Until a hundred years later when an item generally available in thousands of copies now survives in only one or two, and by a cruel twist of fate becomes the object of commercial desire in its turn. It is interesting to speculate how our culture and history have been misshapen by the need for people to collect and study largely what can also be bought and sold.

Festschriften haunt the shadowlands of the world of books. Books (= information) is collected, consulted and in turn reworked to form more commercial publications (books, pamphlets, journals, and now videos, CD-ROMs, DVDs… Incidentally, how many of you have CD-ROMs and videos as part of your serious “book” collections?). Additional and parallel to these there is also a whole “other” dimension of books and information which cannot be bought and sold. These are hard to identify and to quantify and are possibly even greater in number than the already enormous volume of published material, published material which seems, by the way, to have increased exponentially since the advent of the computer and the so-called electronic substitutes for books. This shadowland is called grey literature 9 and includes trade literature and similar fringe material. It is neither ephemera, nor is it ephemeral, let alone printed ephemera. It comprises a significant parallel universe of printed matter – books, pamphlets, journals – which because of its nature (i.e. it cannot be readily bought), is virtually unobtainable a short time after production; both from the producer and through information service providers such as libraries, because it does not flow along the normal channels of commercial supply and demand. My advice to collectors: Burn your first editions. Rip the title pages out of your Whittingtons. Rather focus on subjects and collect such fringe material as may not be around tomorrow… Unless you collect it yourself as a contribution to Australian life and culture, and the creation of a uniquely Australian mythology.

 

Jürgen Wegner

 

Notes

 

1  I won’t comment on the wonderful world of foneSpeak here but will quote from an email which has been going the rounds: “Aoccdrnig to rscheearch at an Elingsh uinervtisy, it deosn’t mttaer in waht oredr the ltteers in a wrod are, the olny iprmoetnt tihng is taht the frist and lsat ltteer is at the rghit pclae. The rset can be a toatl mses and you can sitll raed it wouthit a porbelm. Tihs is bcuseae we do not raed ervey lteter by it slef but the wrod as a wlohe. Ceehiro”. Astonishing, but it can be read with ease. Source email from Caroline Davy, Publications Collection, Research Office, University of New South Wales, ca. Sept. 2003.

2  Typo, Ger.

3  This quote is lifted from a wonderful book, C.V. Carey, Mind the stop: a brief guide to punctuation with a note on proof-correction, Cambridge, At the University Press, 1946, which incidentally seems as far as I can make out to use this convention randomly. The book has been frequently reprinted.

 4   I have before me a copy of Style manual for authors, editors and printers of Australian government publications, 3rd ed., rev. by John Pitson, Canberra, AGPS, 1978, which I picked up for a few dollars at the University of Sydney Book Fest as a spare reference copy. It is quite clear on the following: Miss Stop has been granted her ticket of leave and now goes outside the quotes.

5   A novel on a person’s formative, character building years, Ger.

6   Foreign language words, Ger.

J.P. Wegner,  The directory of company histories of the book industries = Verzeichnis von Jubiläumsschriften der graphischen Industrie, Beecroft, N.S.W., Brandywine Press & Archive, 1981-<1989>. I am currently working on the 8th fascicle.

8  See Otto Leistner, Internationale Bibliographie der Festschriften von den Anfängen bis 1979 = International bibliography of Festschriften from the beginnings until 1979, 2. erw. Aufl., Osnabrück, Biblio Verlag, 1984-1989, 3 vols. The volumes are each the size a telephone book.

Semi-published, difficult to locate and acquire, fringe and primary research material. This term has also suffered much at the hands of the commercial imperative which seems to drive everything in our society. Despite this definition it has increasingly been redefined to mean the scientific and technical report literature alone. Another revision is in progress to limit its meaning further to “peer reviewed” literature, leaving all that other, for want of a word, “stuff” invisible as before. See, for example, the website GreyNet, Grey Literature Network Service, http://www.greynet.org/pages/1/ , and, Web sites I wish I had known about: grey literature and invisible web sites, [New York], Library Association of the City University of New York, 2001, http://lacuny.cuny.

 

 

 

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